High loss of folk arts in Guangzhou

High loss of folk arts in Guangzhou Recently, the 2012 Guangzhou Folk Craft Fair Guangzhou Exhibit Work Summary and Commendation Meeting was held in Guangzhou Nanyuan Restaurant. Li Bincheng, He Shiliang, Shao Chengcun, Zhou Chengjie, Liang Xiuling, Huang Wenshui, Feng Ruihua, and Zeng Xianpeng won Guangzhou Youth Folk Art Heritage Innovation Award. These eight people are the inheritors and backbones of Guangzhou folk arts such as Guangxiu, ivory carving, woodcarving, and grey plastic. The average age is 45 years old. Entering the classroom, entering the community, and entering the farmer's house made Guangfu folk art such as Guangxiu and woodcarving endangered, and even became a hobby after the “post-90s” and “after-2000s”. However, the loss rate of the inheritors was still 80%~ 90% or so.

Folk craft fair Guangzhou won 16 gold

From November 22nd to 26th, 2012, the first Guangdong Folk Craft Exposition and the fifth Guangdong Folk Arts and Crafts Exhibition were held at Pazhou Zhongzhou Exhibition Center. There are three highlights in this Guangzhou Folk Craft Exhibition area, including the fine masterpieces of traditional Guangzhou folk crafts, such as the Guangzhou folk crafts brand “Three Eagles, One Color and One Embroidery”, as well as new works of the concept of design, such as the perfect combination of mahogany furniture and craftsmanship. Furniture, as well as masterpieces that originate from the people but are innovative, such as the re-excavation of traditional arts and glass etchings, these heritage and innovative works are the first appearance in the public before. Guangzhou's participating works have a wide range of themes, a wide variety of variety, and are spectacular. They embody distinctive cultural characteristics of Guangfu, demonstrate the diversity and richness of regional culture, and embody the superb wisdom and inexhaustible creativity of craftsmen.

Guangzhou City achieved fruitful results at the 2012 Guangdong Folk Craft Fair. Seven members such as Wanshaoquan were awarded the title of the first masters of Guangdong folk culture and arts; the exhibition area in Guangzhou was highly presented and was well received by the audience and experts and experts. After review by the Expo Group, the Guangzhou Pavilion won 55 awards, ranking the first in the province. Among them, the Guangdong Folk Craft Exposition won 16 gold, 12 silver, and 7 bronze medals; the younger Guangzhou member won 5 gold, 9 silver, and 6 bronze medals.

Learn 5 years to be basically mature

“I will recruit six or seven new people each year. After three years of study, it will be very nice to have one left.” Shao Chengcun, who inherited the art of plaster art, said that he is currently following him to learn the skills of young people. There are more than 30 people, the youngest of whom are 16 years old, and there are not many young people who are really willing to sink into gray-plastic production. “Young people who have been basically mature in this industry after 5 years and who are willing to stay for 5 years will generally not change course and become a true successor.” Shao Chengcun believes that young people must be experienced as traditional inheritors of folk art. Learning, sedimentation and familiarity with the industry's long-term experience. In fact, as more and more ancient building renovation projects are carried out, gray-plaster skills are increasingly valued. “It's not difficult to spread and develop gray-painting skills.”

The practical experience of Guang Xiu-Ling inheritor Liang Xiuling is that more and more people are interested in and concerned about the broad embroidery through entering the classroom, entering the community, and entering the farmer. She is very proud to say: "The "better after 90" and "after 00" players have already emerged." And the spread and conservation of a folk art should enter the life of citizens and give the public the opportunity to experience these traditional techniques. Beauty and ingenuity. “Entering classrooms, entering farmers' houses, and entering the community are really good medicines for carrying forward and conserving traditional folk skills.” She believes that it is equally important to attract the general public to love the traditional folk arts with their aesthetics and dedication in cultivating inheritors.

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